Jim Guittard’s Place

Creative Passionate Types

Posted in Change, Music, Neo-psychedelia, Psychedelic, Society by guittard on May 22, 2008

The creative pursuit is one of the most important things one can do. Sometimes the creative types are a bit fiery and extreme in their thinking. But, isn’t this good though? Creative types bring the passion into society and really are the catalyst to make things happen.

More and more people in America are waking up to what’s going on. Right now, an underground scene is emerging. We are in the midst of the “3rd Wave of Psychedelic” music. The first wave was with the Beatles, the Byrds, the Jefferson Airplane, Love, Strawberry Alarm Clock, the 13th Floor Elevators, Pink Floyd and many others. The second wave had two offshoots: the 1980’s “Paisley Underground” scene in Los Angeles with such bands as the Bangles, the Dream Syndicate, the Three O’clock, Green On Red, the Secret Syde, and Rain Parade. The British offshoot included the post “new wave” bands such as XTC, the Soft Boys, Echo and the Bunnymen, the Shamen, and Doctor and the Medics.1

The “3rd Wave” was born in 2000. The wave is spreading out, now. It consists of the Brian Jonestown Massacre, the Tyde, Beachwood Sparks, the Quarter After, the Warlocks, the Lovetones, the Telescopes, Spindrift, the High Dials, Floorian, the Black Angels, Silver Apples. (My music fits in this wave. I co-write a song with Dominic Campanella from the Quarter After back in 2001.)

Beach by Jim Guittard

“Beach”

I look up into the sky
See the clouds and colours all around.
I hear the waves go in and out
See the birds and stars tonight.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

I tell myself the reason why.
Waters flow and there’s no turning back.
Reaching for the horizon line,
Where it ends has only just begun.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

Drifting through my open mind,
Ray of light about to shine.

Music by Jim Guittard 2001
Words by Jim Guittard and Dominic Campanella of the Quarter After

The Quarter After

We shall see how things progress from here. The world needs freethinkers and people with passion to guide the way. No need to dumb things down anymore. As the New Hampshire motto says, “Live Free or Die.”  America really is at a crossroads.  It is time for decisions.


up1Wikipedia contributors. Psychedelic music. Wikipedia, The Free Encyclopedia. May 21 2008, at 23:57. Available at: http://en.wikipedia.org/wiki/Psychedelic_music. Accessed May 22, 2004.

I Am Releasing 2 Albums On Jamendo For Free

Posted in Music by guittard on May 19, 2008

2008 – “Busted In Bulgaria”

2002 – “California Daze”

“Busted In Bulgaria” is a collection of songs that document living in a strange land. During a two year period, the tracks were all recorded in a raw stripped down way on a laptop using Adobe Audition 2.0. The songs range from psychedelic, shoegaze, folk-rock to experimental. The album is full of sound effects to add a creative vibe. Some songs even have the actual sound from students in the Bulgarian school where I have taught English in Pernik. I also sing a handful of songs in the Bulgarian language.

“California Daze” was recorded in Hollywood, California around 2002 by me on my 4-track recorder and later mixed with Adobe Audition 2.0. The songs pay tribute to the birth of the Neo-Psychedelic scene that emerged beginning in 2000 in Silverlake, California with groups such as the Beachwood Sparks, the Brian Jonestown Massacre, The Quarter After, smallstone, the Warlocks, the Tyde, and the Belle Isle.

I play the shaker, drum machine, and sing all lead and background vocals with the help of friend Vladimir Maskov for bass. Brian McKay engineered the recording of the Beach the acoustic version. I also play all lead and rhythm guitars. The song Beach is co-written by myself and Dominic Campanella of the Quarter After.

The “Swing Tune” and “Jazz Tune” are instrumentals I wrote while attending the Musicians Institute from 1999 to 2000. Here I play the lead guitar with session bassist and drummer. On the rhythm guitar is a guy from Brazil named Reginaldo. He was a student with Jim at the school. You can hear the teacher, “Mr. Lupo Groinig” giving a critique after the instrumentals end.

2008 – Busted in Bulgaria

2008 - Busted in Bulgaria

2002 – California Daze

2002 - California Daze

Please download both albums for free:

Jim at Jamendo

Enjoy!

Influencing Society Through Music

Posted in Change, Good Music, Music, Society by guittard on May 7, 2008

Today’s mainstream music is not very healthy for the average person’s psyche. It leaves most people going in circles and never resolving anything, only hoping to win the lotto of material wealth and fame.

Music in the past had worthwhile messages and often empowered the listeners to strive for something good and meaningful. Nowadays, the listeners are often led on selfish head trips that do not empower at all but rather cripple.

Much of the music of the past was geared to correct society’s problems. Now, music is rather limited in its focus. The main focus is on appearance, material gain and other rather selfish themes. Take a look at MTV for evidence.

Plato

In Plato’s, The Republic, the role of music was discussed for the ideal state. In the ideal state, harmonies which expressed excessive sorrow and relaxation were to be banished completely. In musical terms, Plato only allowed for two modes in songs and melodies: Dorian and Phrygian1 Probably, Spinal Tap’s sad piece, “Lick My Love Pump”, would have been banned.

The modern Philosopher Friedrich Nietzsche said in his Case of Wagner in 1888: “Only sick music makes money today.” I believe this quotation has much relevance to most of today’s mainstream music.

Here is the Top Ten hits from Top 40 Charts for May 2, 2008 for sales and airplays.

1. Lil Wayne – Lollipop
2. Leona Lewis – Bleeding Love
3. Jordin Sparks & Chris Brown – No Air
4. Usher & Young Jeezy – Love in This Club
5. Mariah Carey – Touch My Body
6. Madonna & Justin Timberlake – 4 minutes
7. Sara Bareilles – Love Song
8. Ray J & Jung Berg – Sexy Can I
9. Chris Brown – With You
10. Lupe Fiasco – Superstar

Let us examine some of the lyrics.

Partial lyrics Chris Brown – With You

‘Cause if I got you
I don’t need money
I don’t need cars
Girl you’re my heart

Mr. Brown’s implied message is good. He implies that material things are less important than people. I give him a thumbs up for good positive message.

Usher & Young Jeezy – Love In This Club

Might as well give me a kiss, if we keep touching like this
I know you’re scared, baby, they don’t know what we’re doing.
Let’s both get undressed right here, keep it up and, girl, I swear.
I’m gonna give it to you non-stop.
And I don’t care, who’s watching.

I believe this is bad message that promotes impulse and lack of commitment. Thumbs down.

Mariah Carey – Touch My Body

Touch my body
Put me on the floor
Wrestle me around
Play with me some more
Touch my body
Throw me on the bed
I just wanna make you feel
Like you never did.
Touch my body
Let me wrap my thighs
All around your waist
Just a little taste
Touch my body
Know you love my curves
Come on and give me what I deserve
And touch my body….

Trash lyrics. Maybe Mariah is tired of the Paparazzi filming her and claiming they had relationship with her. Thumbs down for negative message. (oh boy).

Leona Lewis – Bleeding Love

Closed off from love
I didn’t need the pain
Once or twice was enough
And it was all in vain
Time starts to pass
Before you know it you’re frozen um ooh ooh ooh yeah

But something happened
For the very first time with you
My heart melts into the ground
Found something true
And everyone’s looking round
Thinking I’m going crazy

But I don’t care what they say
I’m in love with you
They try to pull me away
But they don’t know the truth
My heart’s crippled by the vein
That I keep on closing
You cut me open and I

Keep bleeding
Keep, keep bleeding love
I keep bleeding
I keep, keep bleeding love
Keep bleeding
Keep, keep bleeding love
You cut me open

Trying hard not to hear
But they talk so loud
Their piercing sounds fill my ears
Try to fill me with doubt
Yet I know that the goal
Is to keep me from falling

But nothing’s greater
Than the rush that comes with your embrace
And in this world of loneliness
I see your face
Yet everyone around me
Thinks that I’m going crazy, maybe, maybe….

I’ll give credit to Ms. Lewis for staying committed and fighting the good fight through the problems. This song is obviously about love. Thumbs up for positive message.

The music of the 1960s brought about change in a turbulent decade. The time was about questioning authority. George Harrison’s song “Think for Yourself” is a good example of the philosophy of the 1960s. Now people do not question authority much. We have become too satisfied with life. We have too much idle time and so we become obsessed with determining who has “The Sweetest Ass in the World”. If you do not know this song, look up Alex C. on google or youtube. These are the type songs that are not only popular but sell money today. I think Nietzsche would be having a fit!

David

In the past, music had the power to literally break down walls. In Biblical times the town of Jericho was liberated by music and sound. The walls surrounding Jericho came down from the loud blasts of trumpets and the shouting of priests. 2 The music set the people free. The music of today often keeps us in bondage to depression or to bad situation we are going through.

Another Biblical musical reference is about the Shepherd David. David was requested to calm down the anxiety-ridden king of Israel. In the King’s palace, David played his soothing harp. This is an example how music can be used to benefit mental health.3

Most of today’s music is aggressive but it makes sense with the War on Terrorism and Iraq both raging. There are so many bad vibes floating around. The workplace is also very volatile and up and down with lay-offs, wage freezes, and rumors of recession. Maybe we are all fed up with what is going on or we should be. We are in a fearful and uncertain time. It is often hard to see the light at the end of the tunnel.

I believe that most people should be a little angry and fed up. If the person is not, then the person is probably numbed by anti-depressants or other pills. (Been there, done that). Living in the comfort zone of America, people have become too apathetic to break away from American Idol or the latest fad or trend.

In the 1960s, there were riots, protests, demonstrations, assassinations, the most turbulent of decades. Today is probably just as turbulent or more but where is the cry for change from the mainstream?

There are a few but it is limited. System of a Down has been one of the more outspoken bands about the war in Iraq.

B.Y.O.B.

Everybody’s going to the party have a real good time.
Dancing in the desert blowing up the sunshine.

In 1969, at Woodstock, Country Joe sang his famous protest song of the Vietnam War. Here is the first part of the lyrics.

Country Joe

I Feel Like I’m Fixin’ To Die

Yeah, come on all of you, big strong men,
Uncle Sam needs your help again.
He’s got himself in a terrible jam
Way down yonder in Vietnam
So put down your books and pick up a gun,
We’re gonna have a whole lotta fun.

And it’s one, two, three,
What are we fighting for?
Don’t ask me, I don’t give a damn,
Next stop is Vietnam;
And it’s five, six, seven,
Open up the pearly gates,
Well there ain’t no time to wonder why,
Whoopee! we’re all gonna die….

The band, Rage Against the Machine has been outspoken on such issues as censorship and artistic freedom.

This is a very big issue in the music industry these days. Stay tuned…

To end on a positive note, here is a list of artists that have thoughtful and forward thinking messages and have meant a lot to me. You cannot go wrong here!!

1. Animals, The
2. Arlo Guthrie
3. Association, The
4. Band, The
5. Beach Boys, The
6. Beachwood Sparks
7. Beatles, The
8. Beck
9. Black Angels, The
10. Black Rebel Motorcycle Club
11. Bob Dylan
12. Bob Gibson
13. Brian Jonestown Massacre, The
14. Bruce Springsteen
15. Buffalo Springfield
16. Byrds, The
17. Canned Heat
18. Carl Perkins
19. Carter Family, The
20. Chi-lites, The
21. Chris Stills
22. Chuck Berry
23. Coasters, The
24. Counting Crows, The
25. Crosby, Stills, Nash, and Young
26. Cure, The
27. Dandy Warhols, The
28. David Bowie
29. Deep Purple
30. Depeche Mode
31. Donovan
32. Doors, The
33. Edie Brickell
34. Elvis Presley
35. Fairpoint Convention
36. Flat People
37. Flying Burrito Brothers, The
38. Further
39. Gene Clark
40. George Harrison
41. Go-Kart Mozart
42. Gram Parsons
43. Grateful Dead, The
44. Hank Williams
45. INXS
46. Janis Joplin
47. Jay Farrar
48. Jefferson Airplane
49. Jesus and the Mary Chain
50. Jimi Hendrix
51. John Lennon
52. Johnny Cash
53. Kinks, The
54. Kula Shaker
55. Led Zeppellin
56. Left Banke
57. Lenny Kravitz
58. Little Richard
59. Lou Reed
60. Louvin Brothers, The
61. Love
62. Lovin’ Spoonful, The
63. Merle Haggard
64. Monkees, The
65. My Bloody Valentine
66. Mystic Chords of Memory
67. Neil Young
68. N.W.A.
69. Oasis
70. Paul McCartney
71. Pink Floyd
72. Poco
73. Police, The
74. Quarter After, the
75. Radiohead
76. Rage Against the Machine
77. Red Hot Chili Peppers
78. Richie Furay
79. Ride
80. Roger McGuinn
81. Rolling Stones, The
82. Ryan Adams
83. Sheryl Crow
84. Sly and the Family Stone
85. Simon and Garfunkle
86. Son Volt
87. Spacemen 3
88. Stephen Stills
89. Strawberry Alarm Clock
90. System of A Down
91. Thrills, The
92. Tom Petty
93. Troggs, The
94. Tyde, The
95. U2
96. Uncle Tupelo
97. Van Halen
98. Van Morrison
99. Velvet Underground, The
100. Violent Femmes, The
101. Warlocks, the
102. Who, The
103. Willie Nelson
104. Wiskey Biscuit
105. Wilco
106. Wings
107. Zombies, The
108. ZZ Top


up1Plato. Republic. Trans. Benjamin Jowett.

up2 Josh. 6:20

up3 1 Sam. 16:23

Freedom of Speech in America

Posted in Society by guittard on September 18, 2007

This is ridiculous. Campus security use taser gun on a guy for asking a question at a John Kerry Speech.

GAINESVILLE, Fla. — A University of Florida student was Tasered and arrested after trying to ask U.S. Sen. John Kerry, D-Mass., about the 2004 election and other subjects during a campus forum.

Videos of the incident posted on several Web sites show officers pulling Andrew Meyer, 21, away from the microphone after he asks Kerry about impeaching President George W. Bush and whether he and Bush were both members of the secret society Skull and Bones at Yale University.

“He apparently asked several questions — he went on for quite awhile — then he was asked to stop,” university spokesman Steve Orlando said. “He had used his allotted time. His microphone was cut off, then he became upset.”

As two officers take Meyer by the arms, Kerry is heard to say, “That’s alright, let me answer his question.” Audience members applaud, and Meyer struggles to escape for several seconds as up to four officers try to remove him from the room.

Meyer screams for help and asks “What did I do?” as he tries to break away from officers. He is forced to the ground and officers order him to stop resisting. Meyer says he will walk out if the officers let him go.

As Kerry tells the audience he will answer the student’s “very important question,” Meyer struggles on the ground and yells at the officers to release him, crying out, “Don’t Tase me, bro,” just before he is Tasered. He is then led from the room, screaming, “What did I do?”

Meyer was charged with resisting an officer and disturbing the peace, according to Alachua County jail records. No bond had been set. Meyer was scheduled to appear in court Tuesday morning, a jail official said.

It was not known if Meyer had an attorney.

Orlando said university police would conduct an internal investigation.

“The police department does have a standard procedure for when they use force, including when they use a Taser,” Orlando said. “That is what the internal investigation would address — whether the proper procedures were followed, whether the officers acted appropriately.”

http://www.local10.com/news/14138122/detail.html?rss=mia&psp=news

The Ragas Approved Fab Movie List

Posted in Movies, Music, Society, The Arts by guittard on May 23, 2007

Easy Rider,
Blow-Up,
The Kids Are Alright,
Monterey Pop Festival,
Woodstock – 3 Days of Peace & Music (The Director’s Cut),
Altamont,
Concert For Bangladesh,
The Band’s Last Waltz,
Harold And Mod,
This Is Spinal Tap!
The Graduate,
Alfie,
007,
To Sir With Love,
The Beatles Anthology,
The Beatles – Let it Be,
The Beatles – Help,
The Beatles – Hard Day’s Night,
The Beatles – The First U.S. Visit,
The Beatles – Yellow Submarine,
The Beatles – Magical Mystery Tour,
The Beach Boys – Endless Harmony (2000),
Shindig! Presents: Sixties Superstars (1964),
Shindig! Presents: British Invasion, Vol. 1 (1964),
Shindig! Presents: The Kinks (1964),
The Trip,
The Monkees – Head,
Riot On Sunset Strip,
Gimme Shelter,
Midnight Cowboy,
Stephen Stills and Manassas: The Best of Musikladen Live,
Mayor Of The Sunset Strip,
Dig!,
The Party,
Alice’s Restaurant,
Don’t Look Back,
Bob Dylan: No Direction Home,
I Love You, Alice B. Toklas!,
Gimme Some Truth,
John Lennon’s Imagine,
Pink Floyd: Live at Pompei
Wilco: I Am Trying To Break Your Heart
The Forever Changes Concert,
The Rolling Stones – Rock and Roll Circus,
Psych-Out – 1968

The Need For a Music Revolution

Posted in Change, Good Music, Music, Psychedelic, Rock and Roll History by guittard on November 24, 2006

REVOLUTION NOW:

A BOMP EDITORIAL!

by Greg Shaw

Those of you who remember the old Bomp Magazine (1970-1979)  know that my editorials were one of the staple features. The topic was usually “the State of Rock and Roll.” In the early to mid 1970s, when music had never been so oppressively controlled by corporate powers, and choice so limited, it seemed insane to believe that we, as fans, could ever have a meaningful voice in what we were allowed to hear, or how it was presented. But we had to try, because we loved rock & roll and didn’t want to let those bastards kill it.

Strangely enough, all the things dreamt of in those editorials came to pass, and sooner than anyone expected. Local bands re-emerged. The great raw sounds of the ’50s and ’60s were reissued (either by major labels under fan supervision, or on fan-made compilations), and had a galvanizing influence on a new generation of bands. Punk Rock was born in the spirit of the ’60s garage explosion, blowing open the doors that the industry had held fast against any fresh breath of rebellion. Vast networks of indie labels, fanzines, radio shows, record distributors and more, scarcely imaginable in 1975, were fully in place two or three years later.

 

Bomp’s editorials didn’t cause these things to happen, of course; rather, they voiced the need for them, encouraged people to believe in and work for change, and pointed out areas in which progress seemed possible. There was intense resistance from the established order to the kinds of changes we wanted, but amazingly enough, a relative handful of people who shared a common vision were able to make a huge difference simply by doing the right thing at the right time.

I stopped writing editorials 20 years ago, and don’t intend to make a practice of it again. My views are my own, and I recognize that I am of no mind to formulate any grand theories of pop or anything else. Yet I can’t help being struck lately by the similarities between 1975 and today.

Item: In both cases the record industry had turned its back on new talent and concentrated on a handful of boring superstars they could count on to sell a huge volume of records.

Item: In both times, local music either didn’t exist at all, had no focus, or lacked any kind of scene to take root in.

Item: Then as now, audiences had been turned into passive consumers of prefab culture, with no interest in creating anything of their own

All this could be coincidence. Or it could be a clue that the conditions for a revolution are once again ripe.

There is a misconception about revolution, namely that they are supposed to accomplish somethng lasting. This is simply not true. What a revolution does is replace an existing order with a new one, which left to itself, will soon become as rigid as the one it replaced. Revolution is a process, and its main payoff is to add value to the lives of those who participate in it, and improve conditions in general for awhile. When it stops moving, it dies.

The point of a music revolution is not to replace today’s pop stars with a new slate; it is to kick out the jams! Riot in the streets! Do it now! etc. It’s all about direct engagement, and the result of all that activity should be a better time for all, a party that will keep everyone coming back to do it some more. And not only that–“parties” are not radical in themselves. The sense of being more fully alive, empowered, having an impact on your world and your culture, these are the chief rewards. This is what rock & roll at its best can provide–leading to the idea that perhaps rock & roll itself should be seen not as a genre, not as a mere noun or even a verb, but also as a process.

Punk rock was a fantastic thing for those who took part in it, but listening to the Sex Pistols today is not a “punk rock” experience: it is an “oldies” experience. Same for the revolutions of the ’50s and ’60s. The “My Generation” of The Who will be on Social Security soon! The only meaningful revolution is the one that is taking place right now, if at all. There is no other time but now that we can live in, existentially speaking, and we either seize or or we don’t. We can use history to see what other revolutions have looked and sounded like, but we can’t truly know what it is until it’s happening all around us, and we have a personal role to play.

It may be folly to believe you can alter the course of the world, which is inevitably becoming more centralized, more controlled by large money interests, and less free–in terms of mass pop culture, at any rate. Out on the fringes, the Internet is enabling more and more variety, which is great, as long as you’re satisfied with a very small cult following and no money. This you are free to have. But the dream of rock & roll, from Elvis to the Beatles to Nirvana, has been the dream of doing something cool and changing the lives of millions with it. This is a dream each new generation of musicians embraces, for better or worse. And no matter how great the odds seem to be against it, I firmly believe it can happen any time people decide they’ve had enough crap.

Now, there are a couple of things necessary for a revolution. One is that the people be unbearably oppressed. Oppressed we surely are, with only three major record companies now controlling all channels of distribution (even indie records are distributed by a branch of EMI) and desiring nothing more than for us to shut up and buy more Britney Spears and Eminem. But “unbearably”? There are so many other obsessions these days; a kid with a new Nokia cell phone doesn’t have a clue he’s missing the joys of being part of a rock & roll scene. The masses will not rise in the name of something they can’t even imagine.

The other ingredient lacking is some charismatic band to carry the revolutionary banner. There’s been no shortage of overnight sensations in music recently, of course. But whatever their success, acts like Oasis, Radiohead, Beck, or (you name it) have not inspired their generation to “seize the means of production” or whatever it is proletariats are supposed to do. Any such band, I suspect, will need to be a whole lot more subversive than anything we’ve seen before. And probably something incapable of being packaged and sold for a profit!

(In many ways, the Grateful Dead met most of these criteria: underground till the end, they did create a substantial alternative culture around them. Unfortunately it was not a particularly viable one, and not one that many of us would care to join. But it is a valid example of what I’m talking about, I must admit.) Then there are “paint-by numbers” bands, starting possibly with Bomp alumni the Flamin’ Groovies, who think that by retracing the steps of past heroes, they can launch some new Heroic Age. Much as I have enjoyed some of these bands, their premise has clearly been proven wrong. (If we can’t learn from our own history, we may be condemned to endlessly reissue it…)

And yeah, there’s rap… but among other problems, rap comes out of a completely different cultural vein. I’m talking about a tradition called “rock and roll” that has been invented and re-invented continuously since the early ’50s, going always back to its roots and coming up with something new and more powerful. In my opinion, rap is the belated black response to punk, parallel to it in some ways, and like punk, long past its most creative days. Public Enemy and their ilk were subversive, in their way, in their time. But that revolution died when its heroes grabbed the gold chains rather than holding out for real change. Sure, some cool stuff has gone on in the name of rap, not to mention reggae, techno, the rave scene, and so on, empowering individuals in the context of music culture. Movements have arisen, and changed lives in way I can’t but admire. But all this is a far cry from what rock and roll has done in the past, and from what I expect it to do for me, being who I am. So I address myself to what I believe can be done in the name of Rock and Roll.

An artist who will command the world’s imagination and set it on a new musical course is what’s needed to set off a wide-scale revolution. In their wake, a whole wave of superior bands would be able to follow. But such an artist may or may not appear, like it or not.

Revolution, however, does not need to be as massive as all that. It is a process that begins at the grass-roots level, and needn’t necessarily rise above it. Horizontal growth may actually be what’s called for… (I’ve always maintained that if punk rock had happened on labels like Rough Trade instead of EMI and Warner Brothers, it would not have burned out so soon.) The point of revolution, in this sense, is to be a part of it. That’s where the pleasure comes from–the involvement, the participation in creating something. And this is a revolution we can have–if we want it badly enough to make it happen.

The conditions for it are better now than they have been in quite awhile. Healthy local music scenes are emerging all over, with bands whose vision embraces folk and blues, ’60s pop and ’70s punk, all the elements of the tradition they yearn to be a part of, with intelligence and historical savvy. I won’t mention any bands, but there are some great ones out there all of a sudden (Parenthetically: of course there are always plenty of cool local bands; most of them, however, have nothing to do with any of this, not to knock them. It may sound vague, but I know the kind of band I mean when I see it, and so will you.) I’ve talked with many in the past year or two and the same ideas keep comig up: there’s something happening here, we’re all a part of it, we don’t know what it is, there’s no marketing slogan, no ad campaign, but it’s real and we can feel it. And that’s the way it ought to be. Right now, there’s no excuse for anyone who loves music not to get out and support the good bands, who are either in your town or coming through soon. Don’t wait to read about it in Rolling Stone; put your ear to the ground.

! ! ! ! ! ! ! The revolution begins with you ! ! ! ! ! ! !

http://bomp.com/book.html