Jim Guittard’s Place

I Am Releasing 2 Albums On Jamendo For Free

Posted in Music by guittard on May 19, 2008

2008 – “Busted In Bulgaria”

2002 – “California Daze”

“Busted In Bulgaria” is a collection of songs that document living in a strange land. During a two year period, the tracks were all recorded in a raw stripped down way on a laptop using Adobe Audition 2.0. The songs range from psychedelic, shoegaze, folk-rock to experimental. The album is full of sound effects to add a creative vibe. Some songs even have the actual sound from students in the Bulgarian school where I have taught English in Pernik. I also sing a handful of songs in the Bulgarian language.

“California Daze” was recorded in Hollywood, California around 2002 by me on my 4-track recorder and later mixed with Adobe Audition 2.0. The songs pay tribute to the birth of the Neo-Psychedelic scene that emerged beginning in 2000 in Silverlake, California with groups such as the Beachwood Sparks, the Brian Jonestown Massacre, The Quarter After, smallstone, the Warlocks, the Tyde, and the Belle Isle.

I play the shaker, drum machine, and sing all lead and background vocals with the help of friend Vladimir Maskov for bass. Brian McKay engineered the recording of the Beach the acoustic version. I also play all lead and rhythm guitars. The song Beach is co-written by myself and Dominic Campanella of the Quarter After.

The “Swing Tune” and “Jazz Tune” are instrumentals I wrote while attending the Musicians Institute from 1999 to 2000. Here I play the lead guitar with session bassist and drummer. On the rhythm guitar is a guy from Brazil named Reginaldo. He was a student with Jim at the school. You can hear the teacher, “Mr. Lupo Groinig” giving a critique after the instrumentals end.

2008 – Busted in Bulgaria

2008 - Busted in Bulgaria

2002 – California Daze

2002 - California Daze

Please download both albums for free:

Jim at Jamendo

Enjoy!

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The BJM Philosophy: Not Giving Up

Posted in Change, Family, Music, Neo-psychedelia, Psychedelic, Society by guittard on March 16, 2007

I got into the BJM in late 1999. It was well before Dig but after the Viper Room and other events made “famous” in the movie. Put aside all the fistfights, verbal attacks or whatever, the music of the Brian Jonestown Massacre stands the test of time. Forget all the hype of Anton Newcombe being some crazy guy. Who cares? It’s about music right?

Starting in late 1999, I was lucky enough to see the band in person while living in Los Angeles. Anton was a cool dude to me. I never saw any of the abuse the movie is so based upon. In fact, he’s quite intelligent and courteous.

But the mark left with me from experiencing the BJM firsthand is tremendous. If I could sum up what I have gotten out of it. For me it left me with the feeling that I can have numerous chances to do “my thing.”

It’s about going for it no matter what, not giving up. Striving through all the hype. One does not have to be near famous to have hype about them. It seems that most families have hype. They have opinions on how one’s career should be or when they should marry, etc.

With the BJM, it’s about showing the press or mainstream or others that they are wrong with their close-minded routine thinking. It is a wake up call to society to think more positively and courageously with vision. A Beatles’ song comes to mind: “Think For Yourself.” Words are “Do what you want to do and go where you’re going to. Think for yourself ‘Cause I won’t be there with you.” It’s about standing on you own feet. Making your own history.

It is funny how when I read news stories about this famous person or that. The articles always bring up the past. Writers say nothing new. They write about what they’ve been told and don’t give people the chance to better themselves. Writers go along with the status quo, maybe for what is entertaining or controversial. I think the BJM evokes courage.

In America, we talk about free speech and everything but I think, in general, it is slanted toward the controversial, trashy, and rubbish category. Why do Americans like to read about controversy? I don’t but maybe most people do. I’m 33. Not that old. I’m among the Generation X, which have been written about to be cynical or the children of divorce families. I am from a divorced family and some of my family’s past is chaotic with fistfights and verbal attacks.

Here’s an excerpt from a news article I was mentioned in concerning “Generation X” finding their place in the world.1

Jim Guittard of Dallas, who will be 32 in October, lives with his grandparents, shelves books part-time at a branch of the Dallas Public Library and hopes to head to Eastern Europe or Central Asia for the Peace Corps this fall.

Armed with a degree in American history from Colorado’s Western State College, Guittard started out working as an automobile-insurance-claims adjuster but grew tired of the constant bickering over money.

To pursue his passion for playing the guitar, he moved to Hollywood, Calif., where he found gigs playing in clubs. But the money wasn’t enough to provide a steady living. To survive, he worked a series of low-paying jobs at a talent agency, a rental-car office and an apartment-locator firm.

The experiences left him disillusioned about working in corporate America, and he moved back to Dallas a little more than two years ago.

“I don’t want to settle,” he says of his decision to seek happiness rather than money. “Do what your heart says.”

That’s why I take comfort in the BJM. The BJM, I think, looks past the obvious. The obvious is, yes, you may have a disfunctional past but you can be somebody. It’s about not labelling others. Labels can be bad.

So what else can I say? Well, if you’ve read this far then, thank you. The BJM is cool.

Back in 2001, I recorded an instrumental in tribute to the BJM.

BJM-Like Song by Jim Guittard


up1Katherine Yung, “As Generation X begins to hit 40, it’s finding its place in the world,” The Dallas Morning News, 8 July 2005.