Jim Guittard’s Place

Calling for Reviewers at Jamendo

Posted in Music, Psychedelic by guittard on January 27, 2009

If you haven’t heard of Jamendo.com then I guess you are really really out of the loop and not aware of the free music phenomenon.  I suggest you get over there, immediately and get in on it.  As of today, there are 15,287 albums posted there for free downloading.  Did you catch me?  Free!

Most of the artists are not known, including me.  There is some really great quality stuff out there.  I recommend the following artists:

  • Brad Sucks
  • Rancho Relaxo
  • Blancheneige
  • The Zombie Drivers
  • Jamison Young
  • The Golden Dawn

I’m tellin’ ya, get in on this scene.  I give you free music; you give me review. It’s “Quid Pro Quo”, ya dig? A free win-win situation. I’d be honored if you’d do this for me.  Just sign up, it is free.  It’s extremely cool.

My stuff is along the lines of folk-rock, psychedelic, and experimental.  I have posted three albums and if you like the Beatles, Bob Dylan and the Byrds you would probably like me. 

Here’s my first album I did in 2002 called “California Daze.” 

Album description

California Daze was recorded in Hollywood, California by Jim Guittard on his 4-track recorder and later mixed with Adobe Audition 2.0. The songs pay tribute to the birth of the Neo-Psychedelic scene that emerged beginning in 2000 in Silverlake, California with groups such as the Beachwood Sparks, the Brian Jonestown Massacre, The Quarter After, smallstone, the Warlocks, the Tyde, and the Belle Isle.

Jim Guittard played the shaker, drum machine, and sang all lead and background vocals and had the help of friend Vladimir Maskov for bass. Brian McKay engineered the recording of the Beach the acoustic version. Guittard also played all lead and rhythm guitars. The song Beach is co-written by Jim Guittard and Dominic Campanella of the Quarter After.

The “Swing Tune” and “Jazz Tune” are instrumentals written by Jim while attending the Musicians Institute from 1999 to 2000. Jim plays the lead guitar with session bassist and drummer. On the rhythm guitar is a guy from Brazil named Reginaldo. He was a student with Jim at the school. You can hear the teacher, “Mr. Lupo Groinig” giving a critique after the instrumentals end.

Click here for the album:

California Daze

Advertisements

Jim Guittard Talks With ‘Tangra Mega Rock’ Radio

Posted in Bulgaria, Music, Psychedelic by guittard on November 14, 2008

stachkata-1_0001

Back on September 30, 2008, I was interviewed for Sofia, Bulgaria Internet Radio Station ‘Tangra Mega Rock’. Radio DJ Vassil Varbanov ran the show. Various tracks were played and I got a chance to explain the real scoop behind my 3 Psychedelic/Folk-Rock albums, living in Bulgaria as foreigner, and my previous work teaching as a Peace Corps Volunteer in Pernik. The Albums are:

2008 ‘Busted in Bulgaria’
2004 ‘The Notorious G.I.D.D.’
2002 ‘California Daze’

Listen here for radio show.

Tangra Mega Rock

Link To Tangra Mega Rock

You can download all three albums for free at:
Free Albums

Podcast of Islas de Robinson

Posted in Music, Psychedelic by guittard on October 30, 2008

Recently, I was turned on to a podcast coming out of Madrid, Spain.  What great thing I found.  Well, actually, the podcaster found me on myspace and I checked what he has going.  He has a lot going and real good music.

I recommend this podcast with both thumbs up and if I had anymore thumbs those, too.  The show is in the Psychedelic, Cosmic Country, and Folk-Rock genres.  You’ll dig it if you are into that stuff!

Here’s a list of artists that have been played on the show:

  • The Quarter After
  • The Byrds
  • The Grateful Dead
  • Love
  • STALK FORREST GROUP
  • Bob Dylan
  • David Bowie
  • Sarabeth Tucek
  • Vietnam
  • The Sidewinders
  • Violent Femmes
  • The Yardbirds
  • Radio Moscow

And a lot of bands that I haven’t heard of but are very good.  His podcast will open your ears to some good new stuff. 

In the latest episodes, my song “Breaking the Language Barrier” is included. 

Podcast October 29, 2008

RAY LAMONTAGNE – “HENRY NEAR KILLED ME (IT’S A SHAME)”. DISCO: “GOSSIP IN THE GRAIN”; JAYBER CROW – “SONG OF THE JACK PINE”. DISCO: “TWO SHORT STORIES”; DANIEL MARTIN MOORE – “THAT’LL BE THE PLAN”. DISCO: “STRAY AGE”; DAMIEN JURADO – “GILLIAN WAS A HORSE” . DISCO: “CAUGHT IN THE TREES”; JOSH RITTER – “RIGHT MOVES” .DISCO: “THE HISTORICAL CONQUESTS OF JOSH RITTER”; NIK FREITAS – “ALL THE WAY DOWN”. DISCO: “SUNDOWN”. UNBUNNY – “THE PATH”. DISCO: “SENSORY UNDERLOAD”; DONOVAN QUINN & THE 13TH MONTH – “SISTER ALCHEMY”. “DONOVAN QUINN & THE 13TH MONTH”; ALEXA MARMON – “WEB IN THE SUN”. “GARDEN AT TWILIGHT”. JIM GUITTARD – “BREAKING THE LANGUAGE BARRIER”. “BUSTED IN BULGARIA” ( http://www.myspace.com/guittard , 2008); LYSSALANE – “SOAP & FOAM”. DISCO “LYSSALANE”; HUSH ARBORS – “FOLLOW CLOSELY”. DISCO: “HUSH ARBORS”. SIX ORGANS OF ADMITTANCE – “JADE LIKE WINE”. DISCO: “SHELTER FROM THE ASH”. (29/10/2008)

You can subscribe to his show here: Islas de Robinson

“Busted In Bulgaria” Album Commentary Podcast Part 2

Posted in Bulgaria, Music, Psychedelic by guittard on October 25, 2008

This is part 2 of a series of commentary about my album, “Busted in Bulgaria”, that I recorded while I was a Peace Corps Volunteer in Pernik, Bulgaria. From April 2006 to July 2008 I taught English in the Bulgarian high school. It was while confined to my Post-Soviet style block that I documented my whereabouts through song.

The songs comment on life outside America and are in the Psychedelic and Folk-rock genres.

In this episode are the following tracks:

1. Listen To Your Voice

2. Rico

3. Pernik

4. Stachkata

5. Survival Mode

6. This Is Random Song

7. What’s Your Role In Life

8. Don’t Know Jack

9. Raga Train

10. The Sun Shines Today

Stay tuned for other commentaries on my albums.

You can listen to Part 2 of the podcast here:
Podcast 2


You can subscribe to my podcast at ITunes under “Jim Guittard”.

“Busted In Bulgaria” Album Commentary Podcast Part 1

Posted in Bulgaria, Music, Psychedelic by guittard on October 24, 2008

This is part 1 of a series of commentary about my album, “Busted in Bulgaria”, that I recorded while I was a Peace Corps Volunteer in Pernik, Bulgaria.  From April 2006 to July 2008 I taught English in the Bulgarian high school.  It was while confined to my Post-Soviet style block that I documented my whereabouts through song.

The songs comment on life outside America and are in the Psychedelic and Folk-rock genres.

In this episode are the following tracks:

1. Breaking the Language Barrier

2. Gangster 

3. Hoola Hoop Girl 

4. 8A Class 

5. Be Real True 

6. Babas On Their Bench 

7. I Wanna Go To The Moon 

8. Kakvo Pravish? 

Stay tuned for part 2.

You can listen to Part 1 of the podcast here:
Podcast 1

You can subscribe to my podcast at ITunes under “Jim Guittard”.

The Quarter After

Posted in Music, Neo-psychedelia, Psychedelic by guittard on October 2, 2008

by Jim Guittard

Something has been going on for the past eight years. It is the musical revolution that the Brian Jonestown Massacre front man Anton Newcombe is famous for talking about. In 2000, a Neo-Psychedelic scene with half a dozen bands was birthed in Silverlake, California. The Quarter After was one of those pioneer bands that was turned on from the start and continues today to turn on others.

As described by the band itself, the Quarter After is psychedelic music for the 21st century. The group is led by the Campanella brothers: Dominic and Rob. They formed in the summer of 2000 with then bassist Dave Koenig and drummer Nelson Bragg.

They began playing shows at the Silverlake Lounge, 3 of Clubs, and Spaceland. It was here that the hipsters gathered by the thing that was going on. You ask what was going on? Well simply, it was a spiritual awakening or rather a wake up call. It was a real departure from the philosophy underlying the excess mainstream music.

A new social consciousness was formed which was held together by the reverence of the older music acts such as the Kinks, the Beatles, the Byrds, Bob Dylan, the Buffalo Springfield, Love, the Left Banke, the Flying Burrito Brothers, the Zombies, the Searchers, and the Association. There are too many bands to name.

It was not all by chance that this scene formed. Early on, the Campanella brothers made 4-track recordings of psychedelic pop. It was at the time of grunge. They were following the path set by the previous revival of psychedelic pop with bands like the Bangles, the Three O’Clock, and Dream Syndicate. In 1994, at a show at the Foothill Club in Signal Hill, Rob obtained the stamp of approval he needed to make psychedelic music. The show was a Sonic Boom concert where the Brian Jonestown Massacre was opening. It was even before the BJM had released any records. That night Rob listened to the psychedelic sounds of Anton’s band and something clicked. It was the green light and no turning back for Rob and Dom.

For a long time Rob remained behind the recording console as music producer for other psychedelic bands- the Beachwood Sparks, the Tyde, Dead Meadow, the Black Angels, and even the Brian Jonestown Massacre, and Sunstorm. It was only two years after establishing the Quarter After, that the band caught the ears of Arthur Lee of Love. The band was asked to open up for Arthur Lee’s first show after being released from prison. In May 2002, the Quarter After soared high at this Los Angeles Knitting Factory gig. They were well received but shortly thereafter unofficially split.

But Rob was pulled back in 2003. The band reformed with a new bassist (Victor Peсalosa), and drummer and opened for Dead Meadow, a band Anton had found for the Committee to Keep Music Evil label. With renewed interest in the Quarter After, Rob and the band resumed work on their debut album that had already been started. The tracks were mostly recorded live with very little overdubs. Much of the time, Anton Newcombe manned the recording console.

The standout tracks from the debut album were “Too Much To Think About,” “Always Returning,” “One Trip Later,” and “So Far To Fall.” The album on a whole has a hypnotic energy, featuring soaring Rickenbacker 12-String, high harmonies and a hint of raga rock influence. Any serious lover of the Byrds, Gene Clark and the Beatles would be satisfied with the album.

After the record was released in 2005, Newcombe asked them to go out on tour with him as opening band for the Brian Jonestown Massacre. The tour went well and the revolutionary spirit was kept alive. The boys were writing new songs and were preparing to record their second album once back in Los Angeles.

The second album is Changes Near and was released in April 2008. A standout track is “Sanctuary,” which has a spiritual undertone- a beautiful song about faith, where fear and doubt are wiped away. “Follow Your Own Way” and the title track also follow this theme of faith and believe in the self.

This is the part of the revolution that Newcombe has been pushing, where he once said “I’m here to destroy this fucked up system… I’ll use our strength. Let’s fucking burn it to the ground.” He was pointing to the whole music industry. Time has now caught up with him as the record companies and labels are no longer in charge. And the Quarter After is poised to be part of this new world.

Also see The Quarter After’s website

Article is reprinted from the October/November 2008 Edition
Perfect Sound Forever Online Music Magazine

The Ragas Release Free Album

Posted in Music, Neo-psychedelia, Psychedelic by guittard on June 3, 2008

Well I just wanted to let people know that Henry McGuinn and I have released an album on the free download site Jamendo.

The songs are from 2000 when we were establishing our band the Ragas in the beginnings of the Neo-Psychedelic scene in Hollywood.

I had enough foresight to let my 4-track roll. The tunes are pretty raw but I think captures the essense of the Ragas. We named our group the Ragas after sitar royalty Ravi Shankar and the style of raga rock music that the Beatles and the Byrds came up with.

Basically, Henry and I would jam tunes and record them and then trek out for Indian food on the Sunset Strip. It was fun times.

I hope you will download for free at:

The Ragas at Jamendo

All the Best,
Jim

Creative Passionate Types

Posted in Change, Music, Neo-psychedelia, Psychedelic, Society by guittard on May 22, 2008

The creative pursuit is one of the most important things one can do. Sometimes the creative types are a bit fiery and extreme in their thinking. But, isn’t this good though? Creative types bring the passion into society and really are the catalyst to make things happen.

More and more people in America are waking up to what’s going on. Right now, an underground scene is emerging. We are in the midst of the “3rd Wave of Psychedelic” music. The first wave was with the Beatles, the Byrds, the Jefferson Airplane, Love, Strawberry Alarm Clock, the 13th Floor Elevators, Pink Floyd and many others. The second wave had two offshoots: the 1980’s “Paisley Underground” scene in Los Angeles with such bands as the Bangles, the Dream Syndicate, the Three O’clock, Green On Red, the Secret Syde, and Rain Parade. The British offshoot included the post “new wave” bands such as XTC, the Soft Boys, Echo and the Bunnymen, the Shamen, and Doctor and the Medics.1

The “3rd Wave” was born in 2000. The wave is spreading out, now. It consists of the Brian Jonestown Massacre, the Tyde, Beachwood Sparks, the Quarter After, the Warlocks, the Lovetones, the Telescopes, Spindrift, the High Dials, Floorian, the Black Angels, Silver Apples. (My music fits in this wave. I co-write a song with Dominic Campanella from the Quarter After back in 2001.)

Beach by Jim Guittard

“Beach”

I look up into the sky
See the clouds and colours all around.
I hear the waves go in and out
See the birds and stars tonight.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

I tell myself the reason why.
Waters flow and there’s no turning back.
Reaching for the horizon line,
Where it ends has only just begun.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

Drifting through my open mind,
Ray of light about to shine.

Music by Jim Guittard 2001
Words by Jim Guittard and Dominic Campanella of the Quarter After

The Quarter After

We shall see how things progress from here. The world needs freethinkers and people with passion to guide the way. No need to dumb things down anymore. As the New Hampshire motto says, “Live Free or Die.”  America really is at a crossroads.  It is time for decisions.


up1Wikipedia contributors. Psychedelic music. Wikipedia, The Free Encyclopedia. May 21 2008, at 23:57. Available at: http://en.wikipedia.org/wiki/Psychedelic_music. Accessed May 22, 2004.

The BJM Dallas Show

Posted in Good Music, Music, Neo-psychedelia, Psychedelic by guittard on May 10, 2008

Journal entry from August 13, 2005

I caught the BJM show here in Dallas on Saturday night. It was different but really glad Anton chose to play. The preceding shows in Palm Beach Florida and Orlando were cancelled. The Quarter After, the opener, was good as usual. I had seen them in L.A.

Before the show, when I spoke to Rob, he said Anton’s voice was not up to par so they were kinda nervous about the show. I was going to say hello to Anton but decided I didn’t want to bother him with talk cause I figured he would be in his zone about the show. Anton was sitting at the sound board before the show. I got a good picture of him at the board with his thumbs up. Glad it wasn’t the middle finger.

Anton – Before Dallas Show

Anton - Dallas, Texas - Trees

After the Quarter After played, there was Innaway led by Reid Black. They were a Pink Floydish band from Philadelphia. It was cool and mellow. After Innaway, the crowd was getting anxious. The whole place was packed. I was rather pleased for Anton. I couldn’t even walk around. It was shoulder to shoulder. I had seen BJM at the same place 2 years prior and it was a pretty good crowd but not like shoulder to shoulder.

As I stood in the audience, the BJM brought out all their gear and set up but I wondered where’s Anton? The band patiently waited on stage smoking cigarettes and tuning and retuning etc. I looked around and Anton was on the board again DJ’ing music, kinda trippy hip-hop beat type stuff. It sounded really cool. Anton had his head phones on creating a vibe. I wish I knew what he was playing. That went on for 30 minutes. The band was ready to go and Anton was jamming out with his head phones still on at the sound board. I thought it was great. After probably 6 or so songs, the lights went low and Anton emerged onto stage.

He got on the mic pretty quick, “Anton style.” He was real nice though and the audience I thought was pretty good. They didn’t heckle him too much. Anton laid down the law from the start.

Anton Laying Down the Law

Anton - Dallas, Texas - Trees

He said, “Texas had been real good to him and the band.” He didn’t want to cancel the show. He said that he couldn’t really sing that night. He said something like, “Look, I’m your guest; treat your guests right. If ya want to kill someone, go to Iraq. You be patient!” That was classic talk.

He explained that he would show us how they make up songs. He had his drummer start a hip hop beat and they all joined in. At one point he told his bassist to try not to lead for once or something like that. They jammed out this instrumental for probably 20 minutes.

I saw a couple of people walk out but I’m sure they had never seen the BJM before. Anton ends the instrumental song and says something like, “Well who in the audience can sing?”

Some guy with a cowboy hat on and sunglasses came up on stage to sing the first song “Sailor.” Anton made it clear that he would throw him out the door and never let him back in if he was a fuck up
or “pissed in the well.”

Anton and Cowboy

Anton With Cowboy-Hatted Fan

The songs they played were:
Unknown Jam
Sailor*
Nevertheless*
Whoever You Are#
Nailing Honey to the Bee#
Who?
This is Why You Love Me#
Jennifer*
Jennifer restart#
When Jokers Attack#
Unknown Jam

* – random fan(s) on vocals
# – Rob Campanella on vocals
? – Reid Black

As a girl came up to sing Jennifer, Anton said her name was Jennifer. She piped up it was “Jill.” There were a few false starts on that song. The girl was eventually told to get off and someone else came up. Rob stepped up to the mic to help out and did a good job. He did “This Is Why You Love Me.”

Rob C. Drops Some Rhymes

Rob C. Singing BJM vocals

Several times during the show Anton said something like you don’t know me just because of some movie. And at least “I don’t give up.” Wise words.

The BJM played from 12 midnight to a little after 2. It was great that Anton let some fans help out. We are in this all together, right? Screw all this attacking stuff.

Betcha those fans who sang up there will remember for ever. I’m not disappointed.

Rob Sells Revolution Products

Rob C. Selling Revolution Products

Anton with FanThe Quarter AfterAnton Laying the Law DownDominic and Rob of the QAReid Black of Innaway Helping Out the BJM

Modern Psychedelic Influenced Bands

Posted in Good Music, Neo-psychedelia, Psychedelic by guittard on April 27, 2008

First of all I recommend a band called the Beachwood Sparks. They take the torch where Gram Parsons and the Byrds left off particularly with the Sweetheart of the Rodeo album. I’ve seen them live numerous times and have never been disappointed. They are the best especially with
their extended Space Echo freakout endings. They have 3 albums out and the first called Beachwood Sparks is my favorite. I hear that the BWS is getting back together (coincidentally on Roger McGuinn’s birthday), July 13th in Seattle for the 20th year for Subpop label. I wish I could be there.

Beachwood Sparks 2000

Beachwood Sparks

The second band I recommend is called the Tyde. This band has mutual members of the Beachwood Sparks. The Tyde is more Bob Dylan or Lou Reed sounding with much reference to surfing. I’ve seen them live, too. They have 3 albums out. I like Once the best.

The Tyde

The third band that I recommend is the Quarter After. This band is Byrds influenced with chimey Rickenbackers and groovy lyrics. It is lead by brothers, Rob Campanella and Dom Campanella. Incidentally, Rob records and produces many of the bands I mention here. I was
fortunate to sit in on a Quarter After session a few years back.

Here’s my somewhat humorous review for their debut album:

The Revolution Is Coming Down!!!

I dig the Quarter After live and on record. They are nice
outstanding citizens who are dedicated followers of the
Revolution effort. If you don’t understand, look up the
Brian Jonestown Massacre.

Their song ‘Too Much to Think About’ can put you in a
trance if you are not careful. It takes you back to 1966
with some Raga-Rock influence. ‘Know Me When I’m Gone’
is my favorite track on the album. It is modern psychedelia.
Dominic’s singing is much like Roger McGuinn’s. Byrds fans
will love the Quarter After. Or any fan of the ’60’s or good music.

Quarter After is authentic and not cheesy. They do not
overdo it. Dominic’s 12 String Rickenbacker work is great.
Good harmonies too by Rob and various personnel.

The Quarter After has recently put out their second album. I have not got my hands on it yet but will review soon.

The Quarter After

The Quarter After

And last but not least is the band called the Brian Jonestown Massacre. These guys are pretty outstanding and have had a documentary about them already called “Dig!” This band is the one
that really should take credit for this revival in psychedelic sound. They have at least a dozen albums out. They are very prolific.

The Brian Jonestown Massacre

The Brian Jonestown Massacre

I hope you will check these bands out. They really cook.