Jim Guittard’s Place

Slow Pace of the Ragas

Posted in Music by guittard on May 27, 2008

Henry and I are sorting out the order of our album we will put out soon. The songs are all very nice. You’ll experience the raw organic world of the Ragas as it was back in 2000 in Los Angeles.

It’s part of my history and of course a part of the underground Byrds scene. Henry is the son of the Byrds founder, Roger McGuinn.

I am glad I let my 4 track roll during our Raga rehearsal sessions in my Hollywood pad that overlooked Capital Records. There are also some tracks from our trek down to Austin, Texas. My brother of Flat People helped out on the bass.

I’ll keep you posted.

Albums Upload Report 26/05/08

Posted in Music by guittard on May 26, 2008

I posted my albums 2002 “California Daze” and 2008 “Busted In Bulgaria” at the Jamendo site. It looks like I’m making waves with some people. Not sure who but here are the numbers from Jamendo.

As of today’s date May 26, 2008
Busted in Bulgaria:

Album information
Genre Indie Folkrock Psychedelic 2008
Release May 19, 2008
Listens 437 Downloads 375
Starred 0 Playlisted 1
Reviews 0 Rating N/A

California Daze:

Album information
Genre Country-rock Psychedelic Indie Folk-rock…
Release May 19, 2008
Listens 127 Downloads 312
Starred 0 Playlisted 0
Reviews 0 Rating N/A

Most popular tracks
Breaking the Language Barrier ( 87 Listens )
Gangster ( 36 Listens )
Jim Guittard – Be Real True ( 35 Listens )
Beach ( 33 Listens )
Pernik ( 29 Listens )

The albums are also on bittorrent sites such as mininova.org:

Jim Guittard – California Daze
Jim Guittard – California Daze — Jamendo – MP3 VBR 192k – 2008.05.19
[www.jamendo.com].torrent
Category: Music > Other

Total size: 37.98 megabyte

Added: 4 days ago by Jamendo
Share ratio: 224 seeds, 821 leechers

Last updated: 12 hours ago

Downloads: 935

Jim Guittard – Busted In Bulgaria
Jim Guittard – Busted In Bulgaria — Jamendo – MP3 VBR 192k –
2008.05.19 [www.jamendo.com].torrent
Category: Music > Other

Total size: 65.36 megabyte

Added: 4 days ago by Jamendo
Share ratio: 174 seeds, 85 leechers

Last updated: 3 days ago

Downloads: 1,205

It’s a good start. If anyone knows a Bulgarian bittorrent site, you
are welcome to upload it there. I have a couple of students that have
offered to do it. I’m a little anxious to get it going.

Thanks,
Jim

Jingle Jangle Morning

Posted in Family, Life by guittard on May 24, 2008

Jingle Jangle Morning

Written by

Jim Guittard

Copyright © 2007 by Jim Guittard
Registered, WGAe #155425

“JINGLE JANGLE MORNING”

FRANK IS A SLIM RED-HAIRED 26 YEAR OLD. HE TRIES TO PLEASE EVERYONE TO AVOID FREAKOUTS AND CHAOS BUT IN THE LONG RUN HE HURTS HIMSELF. HE IS FROM A DIVORCE FAMILY. THEY FOR THE MOST PART FROWN ON PURSUING THE ARTS.

SEAN IS A HEFTY LONG-HAIRED BLONDE 25 YEARS OLD WHO COMES FROM THE MIDWEST FROM A BLUE-COLLAR FAMILY. HE LEFT THE FACTORY TO COME TO HOLLYWOOD TO PURSUE MUSIC.

INT. LAX AIRPORT LATE AFTERNOON – CROWDS OF PEOPLE HUSTLING ABOUT BUMPING INTO FRANK

Frank comes through the gate to LAX airport and then wanders back and forth looking for the way out to the outside. After finally going outside, he sees a blue sign that reads “Super Shuttle.” He sits at the bench and waits not really talking to anybody. He looks over his Los Angeles guidebook. The shuttle shows up as Frank waves it over.

Inside the blue van Frank lets out a sigh of relief.

FRANK
I’m going to the Hollywood Celebrity Hotel….. How far is Hollywood?

SHUTTLE DRIVER
It’s about 45 minutes.

FRANK
Thanks. I’ve never been here. I’m from Texas.

SHUTTLE DRIVER
You don’t say! You visiting?

FRANK
No, I’m moving here but looking for a place to live. How’s Hollywood?

SHUTTLE DRIVER
Well, it’s not what it used to be.

FRANK
Oh?

SHUTTLE DRIVER
You’ll see. Here’s your hotel coming up. Good luck.

The Super Shuttle stops in front of the hotel and Frank gets out and gets his backpack and small bag and walks inside the hotel.

INT. SMALL HOTEL LOBBY WHICH IS ALL HOLLYWOODIZED WITH PICTURES OF CLARK GABLE, BETTY DAVIS AND MARLENE DIETRICH ON THE WALLS. — EVENING

The Asian hotel clerk is busy on the phone but Frank presents his credit card and after the card is swiped Frank receives his room key which is on the first floor just down the hall to the left. Frank nods to the lady and walks to his room.

In the room, Frank goes straight for the bed because he is tired. He turns on the T.V. and the first thing that comes on is the Red Carpet for the Academy Awards. He watches and falls asleep.

EXT. OF HOTEL AND HOLLYWOOD TRAFFIC — MORNING

Frank walks along Franklin Blvd and then down Highland and to a Burger King (something familiar)

INT. BURGER KING RESTAURANT — MORNING

Frank orders sausage biscuit from Hispanic girl and then takes a table in the corner away from everybody. As he sits he listens and watches the people inside the restaurant and through the window on the street.

EXT. IN FRONT OF RESTAURANT — MOMENTS LATER

Frank is stopped by a man on the street.

DENNIS WOODRUFF
Hey, you wanna buy a T-shirt? Or a video? Or a bumper sticker?

FRANK
I don’t know. I’ve seen you around before.

DENNIS WOODRUFF
Well, I’m Dennis Woodruff. Yessiree! I’ve been trying to get into show business for 25 years.

FRANK
That’s cool. I just got here. I’ll be going to a music school. Got to follow my heart.

DENNIS WOODRUFF
Yeah. It’s tough here. I’ve lived in my car and trailer at times but I keep going.

FRANK
Well, I gotta go.

DENNIS WOODRUFF
You don’t want a T-Shirt?

FRANK
Naw. I gotta go.

Frank walks around Hollywood looking at his small handwritten map. He finds the Musicians Academy which is a 5 to 6 story red building off of Hollywood boulevard next to a Scientology Center where people stand wanting to give stress tests.

He does not go in the school but pauses in front of it. There are several rocker looking types with guitars hanging out in front smoking cigarettes. Now that he knows where the school is, he can look for an apartment nearby.

He walks around for hours ringing apartment intercoms up and only hearing voice mail. He writes down the numbers on a notepad. He leaves a message on each and it begins to sound like a rehearsed mantra.

FRANK
Yes this is Frank. I’m looking for a one bedroom apartment. You can reach me at 555-348-6603, room 103, the Celebrity hotel.

After at least 12 other places Frank walks back to the hotel to make a few calls and to rest.

INT. HOTEL ROOM — DAY

Frank lies on the bed and starts making some phone calls to apartment managers.

FRANK
(On the phone)
Hi this is Frank. I’m looking for a one bedroom apartment…..

No live person again. After 5 messages he is feeling hungry and so he walks out into the lobby as an Indian couple comes in the door. Frank goes back to Hollywood Boulevard for food. As he walks he notices what he calls Hollywood Freaks with mohawks, tattoos and piercings.

FRANK
(Mutters to himself)
Boy, this isn’t like home.

He then notices the stars along the Hollywood Walk of Fame. He notices the Elvis Presley star and stops to take a picture when a rather greasy looking man approaches him.

GREASY MAN
Hey, dude, you want to get a beer?

FRANK
Naw, man. I’m good. Just hangin’.

GREASY MAN
We can go right over there.
(Pointing to nearby bar)

FRANK
I’ve gotta go. I’m in the middle of a big project.

Frank quickly walks away and being hungry he looks all around for some place to eat. The nearby places are cheesy souvenir shops or tourist places. He finally sees a sign which reads “Hamburger Hamlet.” The Hamburger Hamlet is right across the street from the Hollywood Roosevelt Hotel.

INT. HAMBURGER HAMLET RESTAURANT ALL GLAMORIZED WITH HOLLYWOOD STAR MURALS ON THE WALLS AND CEILING OF HUMPHREY BOGART, HARRISON FORD, JUDY GARLAND, AND MARILYN MONROE. — AFTERNOON

The hostess comes after a few minutes and Frank is led to a table. He browses the menu and again notices how the menu is Hollywoodized with such items as the Babe Ruth cheeseburger, the Marilyn Monroe Sundae, the Clark Gable Steak and the Betty Davis chocolate milk shake.

As Frank sits he glances at the other tables to see if anyone famous is around.

The waitress comes, a young pretty blonde. (Maybe an Actress)

BLONDE WAITRESS
Can I take your order?

FRANK
Yes. I’d like the Clark Gable steak and the Betty Davis Chocolate Milk Shake.

BLONDE WAITRESS
Anything else?

FRANK
No.

Frank sits and waits for his food and glances at the bar across the room and notices RON JEREMY.

FRANK
(To himself he lets out a sigh)

By this time the food comes and he doesn’t eat everything because he is excited about his new adventure. He begins listening to the next table over.

AGENT
Write up a final draft; we’ll submit it. Warner Brothers will be lightin’ fires this Friday. You have to get it done.

SCRUFFY BASEBALL CAPPED GUY
All right, all right. I just don’t think I want to cut that part out. Warner Brothers can kiss my ass.

AGENT
Listen, man, you’re right. But we’ve got to play ball here. It’s a game out here. You know that?

SCRUFFY BASEBALL CAPPED GUY
Yeah, well. I’m no sell out.

Frank listens intently trying to soak up everything.

Frank finishes the food and he pays the waitress and leaves.

EXT. IN FRONT OF THE CHINESE GRAUMANN’S THEATER — AFTERNOON

In front of theater there are many tourists and people handing out flyers to see the filming of T.V. shows. Frank tries to avoid the flyer people.

He looks to the left side of the theater and sees Spiderman, Superman, and Marilyn Monroe and tourists posing for pictures.

FLYER PERSON
You want to see a free T.V. Show?

FRANK
No. Maybe later.

Frank walks back towards the hotel and in a block he gets stopped by a drug dealer.

DRUG DEALER
(Talking in a hushed scratchy tone)
Hey, you want some hash?

FRANK
Naw, man. I’m not into that. You might ask Elvis over there.
(Pointing to a man dressed as fat Elvis who was walking along the street)

DRUG DEALER
Naw, naw, man. Elvis is straight.

Frank shrugs his shoulders and steps off the corner and to the hotel.

INT. HOTEL LOBBY — MOMENTS LATER

HOTEL CLERK
Mr. Frank, there is a message here for you.

FRANK
Oh, okay. Thanks.

ANGLE ON WRITTEN NOTE:

Yulia at the Trocadero apartments has 2 apartments available and would like you to call ASAP.

FRANK
Thank you.
(As he walks towards the room)

INT. HOTEL ROOM — MOMENTS LATER

He sits in the 1970’s looking chair next to the phone and calls Yulia.

FRANK
Yulia, I got your message. This is Frank.

YULIA
(In Russian Accent)
Yes, we have two available apartments. You want see?

FRANK
Yes, of course. When can I come?

YULIA
I have to show to other people this afternoon. You come tomorrow morning?

FRANK
That’d be great. When exactly?

YULIA
Ten AM.

FRANK
I’ll be there.
(Enthusiastically)

After hanging up Frank does a victory dance around the room.

Frank then calls his mother.

FRANK
Ma, well, I’m in Hollywood.

MOTHER
How is it?

FRANK
It’s good. I hear everybody talking entertainment biz here. I just listen and listen.

MOTHER
You find a church yet?

FRANK
(With frustration and tension)
Ma, I just got here. I think….

MOTHER
(Interrupting)
Why don’t you call that lady I gave you the information about?

FRANK
I just got here. I’m trying to soak it all in now. Maybe later.

MOTHER
I wish you would. You can’t live without God’s people.

FRANK
Well anyway, I’m excited. I saw the school briefly and students hanging out in front. I’m searching for an apartment. I’m looking at one tomorrow. I’ll keep my fingers crossed.

MOTHER
Let me know.

Frank hangs up and goes to take a shower. He’s hot and sweaty after walking around so much. After the shower he towels off and he hears a couple upstairs banging.

FRANK
(To himself)
Guess I’m in Hollywood now for sure.

He goes to the small refrigerator and gets a Coors Light. He sits on the bed, takes the remote and watches the 5 O’clock news. There’s some live car chase on the 5 freeway. After finishing the beer he calls a current student at the Music School.

FRANK
Sean, this is Frank. The guy from Texas. We’ve emailed each other about the school.

SEAN
Yeah dude. What ya doing?

FRANK
Awe, nothing. Just searching for apartments. Hope to find one before my flight back to Texas this Friday.

SEAN
Don’t worry man. It’ll all work out.

FRANK
So what are you doing tonight?

SEAN
Right now just chillin’. You want to meet up?

FRANK
That’d be cool. I haven’t been down to the Strip yet.

SEAN
Cool. I’d be up for it. What time you want to meet?

FRANK
Uh, how ’bout 6:30? Where can we meet? Where are you?

SEAN
You know how to get to Sunset and La Brea? I’m over there.

FRANK
I think so. Yes, at 6:30? There?

SEAN
Right on, man. I’ll see you soon.

FRANK
See ya. Bye.

After Frank hangs up he remembers what Sean told him about his life in Illinois before Hollywood.

INT. SLAUGHTER HOUSE IN ILLINOIS — DAY

Sean is shown in slaughter house clothes dealing with animals on the way to get slaughtered. He looks the same as he does in Hollywood but shorter hair.

After a few minutes, Sean walks into the boss’s office.

SEAN
(To boss)
I can’t take this anymore, I quit.
(He walks away without even letting the boss respond)

INT. INSURANCE AUTO CLAIMS OFFICE (FRANK’S PAST) — DAY

Frank is sitting at his bare cubicle. The only thing he added was his Beatles mouse pad. The telephone rings and he picks it up hesitantly after two rings.

FRANK
(With a fake pleasant voice)
This is Frank Davis. How may I help you?

VOICE
Frank there’s a Mr. Jones at the front desk for you.

FRANK
(Sighing)
Oh boy. Ok. I’ll be right down. Thanks, Susan.

Frank walks the long hallway.

FRANK
(Thinking to himself)
Some day I’ll get out of here.

Frank goes down an elevator to the next floor and through the wooden doors to the front desk. Upon entering the room, he sees a young black man with sports jerseys on and dew rag hat.

FRANK
(To Mr. Jones)
Are you Mr. Jones?

MR. JONES
I have a problem, bro. Why you not givin’ me the money, homey?

FRANK
What? What do you mean? Hey, can we go into the conference room?
(Pointing)

They both enter the room and Mr. Jones continues to stand.

MR. JONES
I’m tellin’ ya man. I got these rims and spinners. They’re worth $500. You givin’ me only $700. I need at least $1200.

FRANK
I have no authority. I’ve given you all I can. You haven’t even sent me the receipts for the rims and spinners. I need to see them for a better evaluation.

MR. JONES
Naw, naw, man. You give me more money or I’ll claim bodily injury.

FRANK
I’m sorry man. That’s all I can do.

MR. JONES
(Quickly and agitated)
That’s shit. Who’s your supervisor?

FRANK
(Quickly but not loud)
Well, okay. She may be busy now. Can you wait here?

MR. JONES
Okay, but hurry up, homey.

Frank rides elevator again and walks nervously the hall to the cubicle that supervisor sits and is on the phone. Frank sits in the chair in front of Supervisor Liz and waits.

She finally hangs up.

FRANK
(Unassertively)
Uh, Liz, uh, sorry to bother you. Um, you know that claim with Mr. Jones? Well, it’s still back and forth and he refuses to give me any receipts to his custom things on his car. He’s in the conference room now. I can’t get anywhere with him. He said that he may claim bodily injury now. I’m sorry could, could, you go talk to him?

SUPERVISOR LIZ
You say he’s here now? These claimants are something else.

FRANK
Yes he’s down in the conference room.

SUPERVISOR LIZ
I’ll go talk with him. You have the file?

FRANK
Yeah, here it is.
(Handing the file)

Frank and Liz both get up and Frank goes back to his cubicle.

FRANK
(To himself)
I’d rather be mowing lawns than this.

The full script is 139 pages.

Me In Hollywood

Me in Hollywood 1999

Noise Pollution and Fear

Posted in Society by guittard on May 24, 2008

Let’s face it, we cannot prevent terrorist attacks but we can prevent the fear that we are ruled by. All it takes is some corrupt American official to be paid off and a terrorist attack could occur in any airport anywhere. There is no way to control people’s insane corruption and allegiance to money and power.

I refuse to live in fear. I will not be bought and sold for money. No wonder American culture is going to pot with all the rubbish in the mainstream media. Nothing is positive. What about the positive stories about the single mother who raises her boys and sends them off to college.

I don’t want to hear about which celebrity is having marital problems. Who cares? Celebrities are not the example. You are! Stop reading and watching all the stupid stuff. Turn off American Idol. Turn off the soap operas. Find your voice. There is too much noise pollution.

Network

Creative Passionate Types

Posted in Change, Music, Neo-psychedelia, Psychedelic, Society by guittard on May 22, 2008

The creative pursuit is one of the most important things one can do. Sometimes the creative types are a bit fiery and extreme in their thinking. But, isn’t this good though? Creative types bring the passion into society and really are the catalyst to make things happen.

More and more people in America are waking up to what’s going on. Right now, an underground scene is emerging. We are in the midst of the “3rd Wave of Psychedelic” music. The first wave was with the Beatles, the Byrds, the Jefferson Airplane, Love, Strawberry Alarm Clock, the 13th Floor Elevators, Pink Floyd and many others. The second wave had two offshoots: the 1980’s “Paisley Underground” scene in Los Angeles with such bands as the Bangles, the Dream Syndicate, the Three O’clock, Green On Red, the Secret Syde, and Rain Parade. The British offshoot included the post “new wave” bands such as XTC, the Soft Boys, Echo and the Bunnymen, the Shamen, and Doctor and the Medics.1

The “3rd Wave” was born in 2000. The wave is spreading out, now. It consists of the Brian Jonestown Massacre, the Tyde, Beachwood Sparks, the Quarter After, the Warlocks, the Lovetones, the Telescopes, Spindrift, the High Dials, Floorian, the Black Angels, Silver Apples. (My music fits in this wave. I co-write a song with Dominic Campanella from the Quarter After back in 2001.)

Beach by Jim Guittard

“Beach”

I look up into the sky
See the clouds and colours all around.
I hear the waves go in and out
See the birds and stars tonight.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

I tell myself the reason why.
Waters flow and there’s no turning back.
Reaching for the horizon line,
Where it ends has only just begun.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

Drifting through my open mind,
Ray of light about to shine.

Music by Jim Guittard 2001
Words by Jim Guittard and Dominic Campanella of the Quarter After

The Quarter After

We shall see how things progress from here. The world needs freethinkers and people with passion to guide the way. No need to dumb things down anymore. As the New Hampshire motto says, “Live Free or Die.”  America really is at a crossroads.  It is time for decisions.


up1Wikipedia contributors. Psychedelic music. Wikipedia, The Free Encyclopedia. May 21 2008, at 23:57. Available at: http://en.wikipedia.org/wiki/Psychedelic_music. Accessed May 22, 2004.

I Am Releasing 2 Albums On Jamendo For Free

Posted in Music by guittard on May 19, 2008

2008 – “Busted In Bulgaria”

2002 – “California Daze”

“Busted In Bulgaria” is a collection of songs that document living in a strange land. During a two year period, the tracks were all recorded in a raw stripped down way on a laptop using Adobe Audition 2.0. The songs range from psychedelic, shoegaze, folk-rock to experimental. The album is full of sound effects to add a creative vibe. Some songs even have the actual sound from students in the Bulgarian school where I have taught English in Pernik. I also sing a handful of songs in the Bulgarian language.

“California Daze” was recorded in Hollywood, California around 2002 by me on my 4-track recorder and later mixed with Adobe Audition 2.0. The songs pay tribute to the birth of the Neo-Psychedelic scene that emerged beginning in 2000 in Silverlake, California with groups such as the Beachwood Sparks, the Brian Jonestown Massacre, The Quarter After, smallstone, the Warlocks, the Tyde, and the Belle Isle.

I play the shaker, drum machine, and sing all lead and background vocals with the help of friend Vladimir Maskov for bass. Brian McKay engineered the recording of the Beach the acoustic version. I also play all lead and rhythm guitars. The song Beach is co-written by myself and Dominic Campanella of the Quarter After.

The “Swing Tune” and “Jazz Tune” are instrumentals I wrote while attending the Musicians Institute from 1999 to 2000. Here I play the lead guitar with session bassist and drummer. On the rhythm guitar is a guy from Brazil named Reginaldo. He was a student with Jim at the school. You can hear the teacher, “Mr. Lupo Groinig” giving a critique after the instrumentals end.

2008 – Busted in Bulgaria

2008 - Busted in Bulgaria

2002 – California Daze

2002 - California Daze

Please download both albums for free:

Jim at Jamendo

Enjoy!

McCain Predicts To Win Iraq War In 2013

Posted in News by guittard on May 17, 2008

McCain’s recent talk about the Iraq War time schedule seemed a bit comical. I am really not sure what is going on in his head. He said the following in Columbus, Ohio to reporters:

“It’s not a timetable; it’s victory. It’s victory, which I have always predicted. I didn’t know when we were going to win World War II; I just knew we were going to win.” (McCain’s Predictions)

World War II? McCain was born in 1936. He would have been three years old when the war started and nine years old in 1945 when it ended. Why is he talking about that? This is strange.

Let’s do some math with his 2013 target date. “There have been 4,390 coalition deaths — 4,078 Americans, two Australians, 176 Britons, 13 Bulgarians, one Czech, seven Danes, two Dutch, two Estonians, one Fijian, four Georgians, one Hungarian, 33 Italians, one Kazakh, one Korean, three Latvian, 22 Poles, three Romanians, five Salvadoran, four Slovaks, 11 Spaniards, two Thai and 18 Ukrainians — in the war in Iraq as of May 16, 2008, according to a CNN count.” (CNN Casualty Source)

4390 divided by 5 (years since 2003) = 878 casualties per year.

878
x 10 (Years)
8780

Casualties for 2013.

The tide may be turning in the war, especially with the elections coming up. Career soldier, Matthis Chiroux, is refusing to report for his June 15 duty date for Iraq. U.S. Soldier Refuses To Serve In ‘Illegal Iraq War’

Rodney Bingenheimer

Posted in Music, Rock and Roll History by guittard on May 14, 2008

Mayor of Sunset Strip
From my journal on May 5, 2004 – Dallas Texas

I went to see the movie about Rodney Bingenheimer called “The Mayor of Sunset Strip.” He is a guy that hung with many of the core music people of the 1960s and 1970s. Rodney was Davy Jones’ double for the Monkees Television series. Rodney knew Sonny and Cher and the Beatles.

He is most known for being the groundbreaking radio DJ for KROQ 106.7 in Los Angeles. He was first in putting on “the Runaways, Blondie, the Ramones, Social Distortion, Van Halen, Duran Duran, Oasis, the Donnas, No Doubt, Coldplay, Dramarama, the Offspring, the Go-Go’s, the B-52’s, X, the Vandals, and others.”1

The movie is a nostalgic documentary that shows much of my old stomping ground: the Tower Records on Sunset Blvd., Canter’s Deli on Fairfax Avenue, and the Denny’s Restaurant on Sunset Blvd. near the Guitar Center. There’s even a bit showing a crippled guy who polishes the stars along Hollywood Boulevard.2

Rodney also made his own English Disco Club that operated for awhile in Los Angeles. To me, Rodney’s a strange guy. I’ve never met him but I had a friend in L.A. that knew him well. Some people have talked bad about him but my friend said he was nice. I respect his great knowledge of music.

It seems that music was and still is his salvation. I can relate a bit. As a kid, I often locked myself in the bedroom and listened to the Beatles or Elvis. They were my heroes and took me to different places. At school, I was a freak and even loner, I suppose: the only guy with sideburns when I was sixteen years old. That was in 1990. Sideburns weren’t very in style then.

There was one time in the school cafeteria when I was sitting at the table alone and this bully behind me at the next table made fun of me. He yelled and got my attention. I looked over and he was holding two napkins up to both sides of his face like they were sideburns and laughing. I just ignored him. He was some punk clown.

In my high school days, I read biographies about rock and roll. I read one called Life With Elvis by his kid step-brother David Stanley.

At the age of sixteen, David Stanley found himself at the top of the world, traveling from city to city as a personal aide to his stepbrother Elvis Presley. Touring with the king of rock ‘n’ roll, Dave lived life in the fast lane – a way of living most people only dream about. On August 16th, 1977, tragedy struck when Dave found the king of rock ‘n’ roll lying facedown on his bathroom floor, dead at age forty-two. Life With Elvis tells Dave Stanley’s compelling story about growing up with Elvis, the dangers and disillusionment of life in the fast lane, and how he discovered true meaning in life through faith in God. — from book’s dustjacket.

It’s an interesting read. The book has a bit about how hoods often hastled Elvis about his sideburns in the boys’ room. One time at Humes High in Memphis, Elvis’ future bodyguard, Red West, stepped in to help Elvis. This was the time when short hair and flat tops were in style. Elvis styled his hair after truckdrivers. Elvis eventually became a truck driver for awhile before recording “That’s Alright Mama.”

From Elvis’ ’68 Comeback Special

It was natural that I picked up the guitar in the 9th grade and never looked back. Music was my way of relating to the chaotic world around me. Things would explode and erupt but the music remained with me. It is proof that music is power. I really hope that the kids these days can put good stuff in their heads to empower. Elvis, along with many others, instilled in me a philosophy of hope and trust.

I don’t think the kids are getting this message today. What do you think?

Me – With the Highlander Band 1991
Jim Guittard - Highlander Band 1991


up1Wikipedia contributors. Rodney Bingenheimer. Wikipedia, The Free Encyclopedia. May 9 2008, at 15:05. Available at: http://en.wikipedia.org/wiki/Rodney_Bingenheimer. Accessed May 14, 2004.

up2I spoke to him a few times en route to the Musicians’ Institute that I was attending.

Flat People

Posted in Family, Good Music, Music by guittard on May 13, 2008

SAMPLE Press Articles
Enjoy!
Tuesday, April 29, 2008
Nothing “Flat” About Flat People’s Bob Guittard

Bob Guittard of Flat People

Digesting music from a steady bowl of oldies, with large sprinkles of the Beatles on top, Bob Guittard developed an interest in music very early in life thanks to the combined influences of his father and brother. “I played violin and piano growing up for years, then my brother gave me one of his guitars when I was fourteen and that completely changed me forever. I taught myself to play out of Hendrix and Zeppelin tab books and immediately started writing songs and formed a band with my buddies.”
His first band, formed in the seventh grade, was called The Little Puppy Dogs. His eighth grade year saw the birth of The Daring Chapstick Officers, followed by Fandango in late high school, The Bob Guittard Band during his first year as a Radio-TV-Film major at The University of Texas at Austin, Timado in his second year of college, and on and on through a variety of front man and back up band positions until, in 2007, he formed his current enterprise Flat People. Guittard’s older brother, Jim, writes music as well. He plays sitar, guitar, trombone and he sings. Guittard’s father and grandfather both played brass instruments in their respective high school marching bands. And his mother, maternal grandmother and maternal great grandmother played violin and piano quite well, which explains how he came to choose his first instruments as a child. “[That] was kind of forced on me as a kid. I liked it for a few years then gave it up when high school hit, probably because I felt like a nerd in the orchestra would rather play the guitar.”

Guittard and his wife recently had a child of their own, a little boy named Miles, and Guittard, although he has no intention of forcing music on his son, is adamant that the boy’s time not be wasted playing video games. He’s hoping that a love of music and creativity will grow from time not spent… well… wasting time. “I think about that a lot,“ said Guittard. “He’ll always be around music and I think he won’t be able to help loving music. Kids love banging on drums so I’ll bet he’ll originally be into that. I’m definitely not going to discourage him playing music. I’m all for my kids not melting their brains and wasting the years away on video games. It seems so common these days and is such a huge waste of time. Think of all the time that could have been spent creating art, music, stories, using the imagination, whatever. I don’t get on a soapbox often, but overuse of video games for kids and overuse and prescribing of anti-depressants, especially for kids, really bugs me. I talk about that in one of the songs on my album called ‘Everybody’s Got a Syndrome Here.’”

Guittard admits that his primary musical influences as a now-seasoned songwriter vary greatly from those of his childhood. He continues to cite the Beatles as a major influence, but has added Jeff Buckley, Wilco, Neil Young, Beck, Radiohead, Air, Bob Dylan, Elliott Smith and more to the list, explaining, “All of these folks stretched themselves either musically, vocally, lyrically, or sonically. They were all so passionate and so good. These are the folks that will give me goosebumps on that long road trip at night, or make me cry, or make me wish I could write a song like that. Or angry that I didn’t.”

Guittard has floated from Dallas to Austin to Los Angeles and back again in a quest for creative and musical fulfillment. Originally from Dallas, his move to Austin was prompted by both his desire to attend the University of Texas and Austin’s “vibrant history of music.” Two months after he graduated college, he moved to Los Angeles – following in the footsteps of his brother who had moved there two years earlier and was deeply embedded in the “darker coming” of the 60s era rock revival – hoping to satisfy two dreams. The first was simply to pursue his music. The second was to utilize the RTVF degree he’d earned in college.
“I had aspirations, like everyone else in that town, of becoming the next big screenwriter, director or producer of films. Once I got out to L.A. it was cool, but I figured out that I wasn‘t that into pursuing the film dream and, once I‘d decided that, I figured I didn‘t really need to live in L.A. to do something special with my number one love, music.”
While in L.A. Guittard joined a couple of different bands and played regularly on the Sunset Strip, but didn’t stay long enough to focus on his own music as much as he would have liked to. He said that his time there contained several “dark and low points” which matured him a great deal. His car was stolen and totaled, and he had broken up with his girlfriend, a girl he knew he wanted to spend his life with.
“It made me think a lot. The beach, writing songs, and the upright piano I rented weekly helped me get through it. The journey there was a necessary evil that I look back on fondly.”
Guittard moved back to Dallas in 2002 both in the hopes of getting a “real” job (in case his musical aspirations didn’t work out), and reconnecting with the girl who would later become his wife.
“I’m not planning on leaving Dallas any time soon unless there is a really compelling reason to. Although I’d love to just take off and travel the world, I’ve got some pretty firm roots here and I’m really happy being sedentary for now.”

Art imitates life for Guittard and his music. He stated, “I tend to write about what’s going on in my life, what I’m going through, what’s got me down or up, or general things or insecurities I’ve noticed as I walk through life. Sometimes it’s in the form of a narrative disguised as other folks and sometimes it’s in a vague metaphorical journey that may make sense to me, but no one else. I’m not sure whether it hits home for others or not, but it makes me happy so I’m good with that.” According to SAMPLE Press Music Writer, Jason Manriquez, Guittard’s lyrics are “a cut-and-paste collage of image-laden tongue twisters and fantastical descriptions of everyday occurrences.”
Guittard said of his songwriting style, “I hope [people] think about the lyrics. My songs, I think, are naturally emotive in terms of how they make me feel so I hope they strike a chord with other people. I’d hate to make a record that fails to stir up some emotion in my listeners. What’s the point if not? I’ve never been one to enjoy an entire album of light, fluffy material.”

Guittard’s decision to work with Nourallah on his album was not one that he came by blithely. Although he’d seen Nourallah play a couple of live shows and loved the music, his interest wasn’t peaked until he read the Dallas Observer article regarding the troubled relationship between Salim and his brother, Faris.
“After doing some research, I figured out that he was also a great producer, really putting out some great music. So, because I loved his approach to music and songwriting, I knew he’d be a great fit to work with me on producing my album. I emailed him and he actually said a friend of his had told him about my music already, which was cool. It just seemed like it was meant to be. I later met with him and gave him my songs and he was really excited, so we began the journey together. I can’t say enough about how great that studio experience was.”

The name, Flat People, did not come about until after the studio recording was complete and the final mixing was in progress.
“We were wrapping up the mixing and I was trying my best to take a step back and look objectively back through the song lyrics and general themes that make up the record. Flat People is the result. Vague, I know.”
Vague indeed. But, unraveling the nuances and mysteries behind Guittard’s music and the Flat People name is the link that binds the listener to the sound. However vague it may be, you are guaranteed to be entranced by it.
— Jennifer Manriquez

(Photos courtesy of Bob Guittard)
Copyright: SAMPLE Press, 2008

The BJM Dallas Show

Posted in Good Music, Music, Neo-psychedelia, Psychedelic by guittard on May 10, 2008

Journal entry from August 13, 2005

I caught the BJM show here in Dallas on Saturday night. It was different but really glad Anton chose to play. The preceding shows in Palm Beach Florida and Orlando were cancelled. The Quarter After, the opener, was good as usual. I had seen them in L.A.

Before the show, when I spoke to Rob, he said Anton’s voice was not up to par so they were kinda nervous about the show. I was going to say hello to Anton but decided I didn’t want to bother him with talk cause I figured he would be in his zone about the show. Anton was sitting at the sound board before the show. I got a good picture of him at the board with his thumbs up. Glad it wasn’t the middle finger.

Anton – Before Dallas Show

Anton - Dallas, Texas - Trees

After the Quarter After played, there was Innaway led by Reid Black. They were a Pink Floydish band from Philadelphia. It was cool and mellow. After Innaway, the crowd was getting anxious. The whole place was packed. I was rather pleased for Anton. I couldn’t even walk around. It was shoulder to shoulder. I had seen BJM at the same place 2 years prior and it was a pretty good crowd but not like shoulder to shoulder.

As I stood in the audience, the BJM brought out all their gear and set up but I wondered where’s Anton? The band patiently waited on stage smoking cigarettes and tuning and retuning etc. I looked around and Anton was on the board again DJ’ing music, kinda trippy hip-hop beat type stuff. It sounded really cool. Anton had his head phones on creating a vibe. I wish I knew what he was playing. That went on for 30 minutes. The band was ready to go and Anton was jamming out with his head phones still on at the sound board. I thought it was great. After probably 6 or so songs, the lights went low and Anton emerged onto stage.

He got on the mic pretty quick, “Anton style.” He was real nice though and the audience I thought was pretty good. They didn’t heckle him too much. Anton laid down the law from the start.

Anton Laying Down the Law

Anton - Dallas, Texas - Trees

He said, “Texas had been real good to him and the band.” He didn’t want to cancel the show. He said that he couldn’t really sing that night. He said something like, “Look, I’m your guest; treat your guests right. If ya want to kill someone, go to Iraq. You be patient!” That was classic talk.

He explained that he would show us how they make up songs. He had his drummer start a hip hop beat and they all joined in. At one point he told his bassist to try not to lead for once or something like that. They jammed out this instrumental for probably 20 minutes.

I saw a couple of people walk out but I’m sure they had never seen the BJM before. Anton ends the instrumental song and says something like, “Well who in the audience can sing?”

Some guy with a cowboy hat on and sunglasses came up on stage to sing the first song “Sailor.” Anton made it clear that he would throw him out the door and never let him back in if he was a fuck up
or “pissed in the well.”

Anton and Cowboy

Anton With Cowboy-Hatted Fan

The songs they played were:
Unknown Jam
Sailor*
Nevertheless*
Whoever You Are#
Nailing Honey to the Bee#
Who?
This is Why You Love Me#
Jennifer*
Jennifer restart#
When Jokers Attack#
Unknown Jam

* – random fan(s) on vocals
# – Rob Campanella on vocals
? – Reid Black

As a girl came up to sing Jennifer, Anton said her name was Jennifer. She piped up it was “Jill.” There were a few false starts on that song. The girl was eventually told to get off and someone else came up. Rob stepped up to the mic to help out and did a good job. He did “This Is Why You Love Me.”

Rob C. Drops Some Rhymes

Rob C. Singing BJM vocals

Several times during the show Anton said something like you don’t know me just because of some movie. And at least “I don’t give up.” Wise words.

The BJM played from 12 midnight to a little after 2. It was great that Anton let some fans help out. We are in this all together, right? Screw all this attacking stuff.

Betcha those fans who sang up there will remember for ever. I’m not disappointed.

Rob Sells Revolution Products

Rob C. Selling Revolution Products

Anton with FanThe Quarter AfterAnton Laying the Law DownDominic and Rob of the QAReid Black of Innaway Helping Out the BJM